From January 25th to 29th, we hosted Geo4LibCamp 2016 at the Hartley Conference Center and Branner Library. Inspired by the success of LDCX 2015, this inaugural event was planned as a hands-on meeting to bring together those building digital repository and associated services for geospatial data. We wanted to focus on sharing best practices, solving common problems, and addressing technical issues.
Digital Library Blog
By Regina L. Roberts & Kris Kasianovitz
Did you know that Stanford University Libraries (SUL) librarians and staff are able to deposit articles, presentations, posters and other content they produce in the Stanford Digital Repository (SDR)? The Stanford University Libraries Staff Publications and Research Collection contains “publications and research produced and contributed by staff of Stanford University Libraries on a broad range of topics relevant to academic and research libraries”.
A welcome complement to the lately growing number of web archiving-specific events, the inaugural Web Archives: Capture, Curate, Analyze conference (tweet stream) brought together an eclectic crowd of researchers, instructors, students, archivists, librarians, developers, and others interested in web archiving. A novel mixture of institutions was also represented - some active principally through IIPC, many more associated with the SAA Web Archiving Roundtable and/or Archive-It Partner communities, and still others who I'd not yet encountered in these more established, practitioner-centric fora.
Echoing the sentiments of other participants, I was impressed and inspired both by the diversity of perspectives and the excitement for moving web archiving forward. As befitting such a group, the schedule and hallway conversations crossed a wide array of topics. Running through it all, though, questions of ethics seemed to be a persistent subject. I'll highlight three areas of ethical concern that stood out for me.
The world's first websites were built for very different rendering and navigation interfaces than the comparatively advanced browsers available today. Thanks to the work of web archivists (e.g., CERN, SLAC), we can celebrate the incongruity of accessing some of these ancient websites using modern browsers. While a traditional goal of web archiving has been to preserve the "canonical" user experience of a website, this has been persistently impaired by (among other challenges) accessing web archives using software other than would've been available at the time content was archived.
On September 2nd, 2015, I had the great privilege of conducting an oral history interview with John Chowning, Professor Emeritus at Stanford’s Center for Computer Research in Music and Acoustics (CCRMA). Chowning, a pioneer in the world of computer music, is perhaps best known as the inventor of Frequency Modulation (FM) synthesis. His discovery was eventually licensed to Yamaha who integrated it into a number of instruments, most importantly, the DX7, the world’s first mass-produced digital synthesizer, released in 1983. The DX7 is generally regarded as one of the most important musical instrument inventions of the past 50 years, and was widely adopted by artists across multiple genres in the 1980s. My interview with Chowning is now available via the Stanford Digital Repository (SDR). Chowning and I principally sat down to discuss Leon Theremin’s visit to Stanford in 1991, which Chowning organized and oversaw. Stanford University Libraries recently digitize video footage of this visit which included a day long symposium at CCRMA and an evening concert in Frost Amphiteatre at which Theremin, Max Mathews, and many other notable figures from the world of electronic and computer music at the time performed. However, Professor Chowning and I also discussed additional topics including Chowning's background in computer music, his history at Stanford and the inception of CCRMA, and his close personal and professional relationship with Max Mathews.
Conservation Services is delighted to announce our new collection in the SDR, Stanford University Libraries Conservation Services treatment documentation. Beginning this past summer, we began depositing treatment reports, photographs, and videos.
In today's mail, the newspaper arrived. It wasn't the San Francisco Chronicle on the San Jose Mercury News though. It was a copy of the Finnish newspaper Turun Sanomat, published in Turku, Finland. It wasn't until I turned to page 15 that I recognized something - a reproduction of the 1815 William Smith Map that we had scanned. William Smith published a map of Geology of what is now a good part of the UK, and earlier this year, we, along with the British Geological Society, celebrated 200 years since its publication. The map and article, all in Finnish of course, presumeably talks about the story of the man and how William Smith single-handedly authored and published this map. The newspaper used our scan both in the paper version and also in their online version.
By Deardra Fuzzell and Wayne Vanderkuil
A historic manuscript map and a gem of the Stanford Library Map Collection, the Ōmi Kuni-ezu 近江國絵圖 Japanese Tax Map from 1837 is hand drawn and painted in the round. This map is designed to be displayed on the floor with the viewer standing in its center. From this central vantage point, the map may be read with ease from any direction. As this display and viewing method is no longer possible for a map fast approaching its 200th birthday, Stanford has recently digitized this item to enable access for research, teaching and learning as well as preservation of the original object.
This the largest and most difficult oversized map Stanford has digitized thus far.
See how the Map Program went about imaging this unique item.