Over the past two years, the Digital Library Systems and Services department at SUL has developed a user-centered approach to building websites. Our methodology involves early and iterative feedback from the primary audience of SUL’s web resources – academic researchers. The intended result is web applications that help users achieve their research goals while at the same time increasing the efficiency of the software development process (thus, lowering the time to development and the cost).
Blog topic: Digital library
Did you read the news a few months ago about the Riverwalk Jazz archive coming to Stanford? Now the collection of radio shows is available online, featuring two channels of continuous audio streams: http://riverwalkjazz.stanford.edu/.
As fans of the long-running public radio program know, Riverwalk Jazz tells the story of early jazz and blues as it evolved in the first half of the 20th century. Using rich narrative, oral histories and interviews, clips of historic musical recordings, and live musical performances by the Jim Cullum Jazz Band, each radio show entertains and educates its listeners, promoting classic jazz music and an appreciation for its place in history. With this new web site, the series of programs is presented by the Stanford Archive of Recorded Sound as an incomparable research collection for use by jazz scholars and fans alike.
We have an ambitious set of goals for continuing to improve and enrich the library website in October. These priorities are based on our original project goals and on feedback and suggestions gathered from patrons and staff. Please continue to send us your feedback and encourage others to do so as well.
Our goals for October 2012 are to:
September was a busy month for the library website team. We officially launched the new site on August 28, and have been steadily adding content, features, and functionality since them. Below is a summary of the Library website work accomplished in September.
Patron-facing changes and enhancements:
Cathy Aster, Michael Olson and Sarah Sussman (SUL Curator of French and Italian) were invited by ATS colleague Nicole Coleman to a Stanford Digital Humanities & Design workshop, "Early Modern Times & Networks" where they presented a summary of the Bassi-Veratti project on 24 August 2012. They led a discussion focused on the Encoded Archival Description (EAD) XML encoding of the finding aid to facilitate discovery of digitized content i
On Tuesday, November 16th 2010, something very out of the ordinary found its way into the schedule of Stanford’s Digital Production Group. Under the umbrella of Stanford University Library and Academic Information Services (SULAIR), Digital Production Group (DPG) is responsible for many types of digitization projects within Stanford’s Library community – ranging from the digitization of medieval manuscripts to historic panoramas of past graduating classes. It would seem as though it would be challenging to throw a curve ball in this ever-changing routines of such an adaptable team. However, a recent inquiry from Glynn Edwards, Principal Manuscript Processing Librarian with Stanford’s Special Collections, introduced a new element into the DPG’s already challenging workflow, and started a discussion about how best to accomplish her request. Edwards asked DPG if it would be possible to digitally capture several large-scale painted “cartoons” that were made by artist Mark Adams, as part of the planning process for the artist’s elaborately colorful and bold tapestries. The cartoons offer a wonderful glimpse of his artistic process, even showing a couple places where he cut things out and taped them back on as he re-thought his designs. Adams was born in Fort Plain, New York, in 1925, and is best known for both his tapestries and his stained-glass work. He studied at Syracuse University (1943-1945), Hans Hoffman School of Fine Arts, New York (1945-1947), Columbia University (1947) and the École National d'Art Decoratif, France (1955). Adam’s work can be seen though out San Francisco, in such places as Temple Emanu-El, Grace Episcopal Cathedral on Nob Hill, the de Young Museum, and the San Francisco International Airport. The items to be digitized were full-scale mock-ups of the tapestries, which Adams would later produce, some of which currently hang in San Francisco International Airport (SFO).
It seems, as of late, that the Green Library has been abuzz with rare books and ephemera of a Presidential persuasion. This is to be expected, as the current Library Exhibition focuses on The American Enlightenment, and features a copy of John Milton’s Paradise Lost, which has the signatures of both Thomas Jefferson and James Madison. It also highlights some other noteworthy items from the Special Collections, which are displayed in the cases along the Library’s rotunda and halls. American History Professor Caroline Winterer, Special Collections' Exhibition Manager and Designer Elizabeth Fischbach, and Curator of Rare Books John Mustain, selected every item to help flesh out an understanding of how certain aspects of the Enlightenment in Europe were interpreted across the seas -- ranging from fashion, to science, art and architecture and all other areas of life -- during that particular time period. The various display cases serve to illustrate different facets of these new ways of thinking, and also serve as a framework for the incredibly beautiful and well researched exhibition catalog and accompanying exhibition website. Indeed, the exhibition has been receiving a lot of attention from visitors and scholars, and was recently featured in an article by the San Jose Mercury News.