The producers of Riverwalk Jazz, the popular public radio program dedicated to presenting, preserving and promoting classic jazz, recently issued their acclaimed live production of “Porgy and Bess: A Jazz Transcription” on CD. The original program masters, recorded in 1992 on analog quarter-inch tape, were paged from the Riverwalk Jazz collection held by the Archive of Recorded Sound and digitized at the Stanford Media Preservation Lab for the release.
Blog topic: Media
The Allen Ginsberg papers in the Department of Special Collections is truly the collection that keeps on giving. We here at the media lab have digitized a huge portion of the media (current count: 2000+ items), yet our interest in it remains high because of the sheer amount of gems hidden within. Even if we didn't enjoy Ginsberg, the vast amount of acquaintances he recorded from the 1950s until the 1990s would provide endless entertainment.
The Stanford Media Preservation Lab and the Department of Special Collections are delighted that Shu-Wen Lin is spending the summer with us in Redwood City interning as a media archivist. Leveraging her interest and background in the arts, Shu-Wen will help to process and preserve several media-based collections, including the archives of visual artist Carolee Schneeman and the archives of Telling Pictures, a prominent Bay Area film production company. Shu-Wen's first day is June 1.
Three new digital collections are now available in SearchWorks. These collections take advantage of SearchWorks' ability to provide users with rich discovery and access capabilities for finding and working with digital collection content.
Abstract: These items are intended for use in Stanford Geospatial Center teaching materials.
Collection contact: Amy Hodge
Friday April 3, 2015
Media Center, Green Library
PWR Instructor: Kathleen Tarr
Assigned Class Librarian: Felicia Smith
Green Library recently hosted Program in Writing and Rhetoric (PWR) office hours for a Zombie Tournament in the Media Center to build relationships between students, instructors and librarians. This particular session had a stress relief component and was a fun way to introduce students to Green Library’s media resources. It allowed students to get help with their PWR assignment from their instructor, in a fun atmosphere. It also allowed students to meet librarians in a relaxed setting and build rapport. Hopefully, this will reduce any anxiety when approaching librarians for assistance at the Information Center Desk.
The Archive of Recorded Sound (ARS) and Stanford Media Preservation Lab (SMPL) recently worked with the Center for Computer Research in Music and Acoustics (CCRMA), specifically Emeritus Professor John Chowning and current CCRMA director and Duca Family Professor Chris Chafe, to locate, research, and digitize a series of videos from the Archive's CCRMA Tape Collection (ARS.0037) documenting a significant event in the history of CCRMA and electronic and computer music at Stanford.
In September 1991, numerous pioneers of electronic and computer music, including Robert Moog and Max Mathews, convened at Stanford during the University's centennial weekend (Sept 27-29, 1991) for a concert and symposium honoring the then 95 year-old inventor of the first practical electronic musical instrument, Leon Theremin. Theremin's instrument, which bears his surname, has become arguably one of the most well known and recognizable electronic musical instruments ever devised, and has since inspired numerous subsequent inventions, such as Max Mathews' radio batons. It has been used in countless musical works, perhaps most famously in the Beach Boys 1966 hit, Good Vibrations. It also gave rise to the career of virtuoso Theremin performer, Clara Rockmore.
Alert 747: Suspected Nuclear Test - A journey to uncover facts and create dialog through humanistic creative production. This February, Stanford University Libraries (SUL) highlights a special collection, Vela 6911 by Victor Gama, with an exhibit on display in the Green Library South Lobby from February 3- March 9, 2015. Vela 6911 is a multimedia musical piece created by Victor Gama, an Angolan composer and designer of contemporary musical instruments for new music. This exhibit offers a glimpse into this vast collection of research, images, video content and musical scores that reside in the SUL Archive of Recorded Sound. It also supports and coincides with the March 6th live performance of VELA 6911 by Gama, the Stanford University New Ensemble and special guests from Stanford’s Center for Computer Research in Music and Acoustics (CCRMA). Information about the concert is at the Stanford Events Page.