Stanford University researchers received the Best Paper Award at the 20th International Society for Music Information Retrieval Conference (ISMIR) on 4 November 2019 held in Delft, The Netherlands. ISMIR is the foremost organization promoting research and development of computer systems to access, organize, and represent music information. The award was presented to the authors Zhengshan “Kitty” Shi (Ph.D.
Blog topic: Sound recordings
I had the pleasure of attending the recent open house held at Academy Hall on Stanford's Redwood City campus, which houses the Media Preservation Lab, Conservation Services, and much of the Department of Special Collections. Here are some things that caught my eye:
Who could have guessed it? Player pianos rolls, those curious scrolls of punched, now brittle and yellowed paper you might come across at the thrift store, are at the center of new research underway at – where else? -- the Center for Computer Research in Music and Acoustics (CCRMA).
Friday, May 10th, marks the sesquicentennial of the Golden Spike, the ceremonial completion of the first transcontinental railroad. In honor of the occasion, curators Eitan Kensky, Kathleen Smith, and Ben Stone are organizing an Open House in Green Library from 11:00am to 3:00pm. In addition to material documenting the American transcontinental railroad and railroads in the United States, this event highlights stories of other significant trains and transportation networks around the world.
The Archive of Recorded Sound, in collaboration with the Stanford Media Preservation Lab, recently completed the digitization and cataloging of 684 analog recordings of The Standard Hour radio broadcasts that occurred between 1938 and 1955. This extensive project was generously funded through the Recordings at Risk program sponsored by the Council on Library and Information Resources (CLIR).
Staff at the Archive of Recorded Sound have, for the first time, created a complete inventory of the ARS Sheet Music Collection. This culmination of over 13,000 published titles was generated through various donations during the Archive's first 60 years (1958-2018). The vast majority of titles within the collection are popular music scores published in the United States along with publications from England, France, Italy, and elsewhere.