Peggy Phelan and Maneesh Agrawala
Warhol, AI, and the Idea of the Archive
Peggy Phelan and Maneesh Agrawala will join the library's digital research architect, Nicole Coleman, for a conversation about how artificial intelligence can augment access to digital archives and fundamentally alter the online experience of digital materials.
This event took place Monday, March 4, 2019 at 4:00 pm
Green Library, 5th floor, Bender Room
The library's Information, Intelligent Machines and New Knowledge program began in October 2018 with the "Discovery Sessions," oriented to applications of artificial intelligence within the library. The program continues with the series, "Dialogues: Navigating Human-Machine Relationships in Knowledge Creation" that brings researchers into conversation across disciplines This second discussion in the series titled, "Warhol, AI, and the Idea of the Archive" brings together performance theory and human-computer interaction.
Maneesh Agrawala is the Forest Baskett Professor of Computer Science and Director of the Brown Institute for Media Innovation at Stanford University. He works on computer graphics, human computer interaction and visualization. His focus is on investigating how cognitive design principles can be used to improve the effectiveness of audio/visual media. The goals of this work are to discover the design principles and then instantiate them in both interactive and automated design tools. He received an Okawa Foundation Research Grant (2006), an Alfred P. Sloan Foundation Fellowship (2007), an NSF CAREER Award (2007), a SIGGRAPH Significant New Researcher Award (2008), a MacArthur Foundation Fellowship (2009), and an Allen Distinguished Investigator Award (2014).
Peggy Phelan is The Denning Family Chair and Director of the Stanford Arts Institute. She also holds the Ann O'Day Maples Professorship in the Arts and faculty appointments in the departments of English and Theatre and Performance Studies at Stanford. Publishing widely in both book and essay form, Phelan is the author of Unmarked: the politics of performance (Routledge, 1993); Mourning Sex: performing public memories (Routledge, 1997; honorable mention Callaway Prize for dramatic criticism 1997-1999); the survey essay for Art and Feminism, ed. by Helena Reckitt (Phaidon, 2001, winner of “The top 25 best books in art and architecture” award, amazon.com, 2001); the survey essay for Pipilotti Rist (Phaidon, 2001); and the catalog essay for Intus: Helena Almeida (Lisbon, 2004). She edited and contributed to Live Art in Los Angeles, (Routledge, 2012), and contributed catalog essays for Everything Loose Will Land: 1970s Art and Architecture in Los Angeles (Mak Center, 2013), Haunted: ContemporaryPhotography, Video, and Performance (Guggenheim Museum, 2010); WACK! Art and the Feminist Revolution (Museum of Contemporary Art, 2007); and Andy Warhol: Giant Size (Phaidon, 2008), among others. Phelan is co-editor, with the late Lynda Hart, of Acting Out: Feminist Performances (University of Michigan Press, 1993; cited as “best critical anthology” of 1993 by American Book Review); and co-editor with Jill Lane of The Ends of Performance (New York University Press, 1997). She contributed an essay to Philip Ursprung’s Herzog and De Meurron: Natural History (CAA, 2005). She has written more than sixty articles and essays in scholarly, artistic, and commercial magazines ranging from Artforum to Signs. She has written about Samuel Beckett for the PMLA and for The National Gallery of Ireland. She has also written about Robert Frost, Michael and Paris Jackson, Olran, Marina Abramovic, Dziga Vertov and a wide range of artists working in photography, dance, architecture, film, video, music, and poetry. She has edited special issues of the journals Narrative and Women and Performance. She has been a fellow of the Humanities Institute, University of California, Irvine; and a fellow of the Humanities Institute, The Australian National University, Canberra, Australia. She served on the Editorial Board of Art Journal, one of three quarterly publications of the College Art Association, and as Chair of the board. She has been President and Treasurer of Performance Studies International, the primary professional organization in her field. She has been a fellow of the Getty Research Institute and the Stanford Humanities Center. She won a Guggenheim Fellowship in 2004. She chaired the Department of Performance Studies at New York University and the Drama Department at Stanford University.